Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
A family that survives the genocide in Indonesia confronts the men who killed one of their brothers.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
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