Official JEIFA Award Categories
Best Actor in a Leading role
The JEIFA for acting in a leading or supporting role is presented to the performer whose acting ability transcends all others in the process of breathing life into a character depicted on screen in a film eligible for a JEIFA that year. For a role to qualify as a leading role, the character portrayed must be a significant element in the plot and drive the film. While this is commonly the protagonist of a film, it does not have to be. There is also no threshold of time on screen to be eligible for nomination in a leading role. Due to the nature of some plots, particularly in those movies with an ensemble of “leading” characters, it is feasible that a performance may be eligible for nomination in a leading roleor a nomination in a supporting role. In the event there is a lack of clarity on the leading or supporting status of a performance, the decision will primarily fall to the status chosen by the Screen Actors Guild (SAG-AFTRA), if available, unless there is overwhelming consensus outside SAG-AFTRA as to the status of the role. Regardless of outcome, it is not possible for an Actor to be nominated in both the Leading and Supporting categories for the same role. There is no limit to the number of nominations an actor can have in all eligible acting categories in one year. There is no limit to the number of nominations a film can have in any or all acting categories.
For the purpose of award nomination, a performance/role’s gender is based on the gender of the actor and not that of the role they play. If there is question in regards to the gender or gender-identity of an actor, the matter is settled by the determination of SAG-AFTRA. There are no restrictions for nomination on the basis of the age of an actor.
Digitized, Animated, and motion-capture acting performance are eligible for nomination for an acting JEIFA if and only if the “acting” (in this case, the expressions, body movement, and speaking) of a character created through animation or other visual effects are based directly off the performance of an actor captured through some form of technology. Voice acting of animated characters is not currently eligible for nomination in acting categories.
This category is classified as an Acting Award.
Best Actor in a Supporting Role
The JEIFA for acting in a leading or supporting role is presented to the performer whose acting ability transcends all others in the process of breathing life into a character depicted on screen in a film eligible for a JEIFA that year. For the purposes of nomination in a supporting role category, all roles in a film that are not eligible for Actor in a Leading Role, are automatically eligible in the supporting category provided they meet all other eligibility requirements for eligibility in any acting role. In the event there is a lack of clarity on the leading or supporting status of a performance, the decision will primarily fall to the status chosen by the Screen Actors Guild (SAG-AFTRA), if available, unless there is overwhelming consensus outside SAG-AFTRA as to the status of the role. Regardless of outcome, it is not possible for an Actor to be nominated in both the Leading and Supporting categories for the same role. There is no limit to the number of nominations an actor can have in all eligible acting categories in one year. There is no limit to the number of nominations a film can have in any or all acting categories.
For the purpose of award nomination, a performance/role’s gender is based on the gender of the actor and not that of the role they play. If there is question in regards to the gender or gender-identity of an actor, the matter is settled by the determination of SAG-AFTRA. There are no restrictions for nomination on the basis of the age of an actor.
Digitized, Animated, and motion-capture acting performance are eligible for nomination for an acting JEIFA if and only if the “acting” (in this case, the expressions, body movement, and speaking) of a character created through animation or other visual effects are based directly off the performance of an actor captured through some form of technology. Voice acting of animated characters is not currently eligible for nomination in acting categories.
This category is classified as an Acting Award.
Best Ensemble/Cast
The JEIFA for Best Performance by an Ensemble/Cast is presented to the film whose overall acting performances transcends all others in the process of breathing life into the leading and supporting characters depicted on screen in a film eligible for a JEIFA that year. While films with nominations in leading and supporting roles have a distinct advantage over films with no other acting nominations, being nominated in any other acting category is not a prerequisite for nomination in the Best Ensemble/Cast category.
Animated films are not eligible for nomination in this category, but a film is not disqualified if it is a live-action film that includes one or more animated characters. Digitized, Animated, and motion-capture performances that are eligible in other acting categories may be contributing factors to nomination for best ensemble/cast.
Receiving a nomination for a JEIFA in any other acting category is a contributing factor for nomination in this category. Receiving a nomination and winning a JEIFA are both contributing factors for winning the JEIFA in this category.
This category is classified as a Contribution/Breadth Award.
Best Casting
The JEIFA for Best Casting is presented to the Casting Director whose contribution to the nominated film demonstrates excellence in matching the script requirements with the ideal actor for each role. The award further recognizes the joint effort of the Casting Director, Location Casting Director/Staff, and other members of the Casting team as the create an ideal cast for the project. Animated films are eligible for this award, but Documentaries currently are not.
This category is classified as a Contribution Award.
Best Director
The JEIFA for Best Director is presented to the Director whose direction, application of film technique and vision for the film’s story demonstrates excellence in interpretation and visualization of the script he or she is filming into a fully formed film. Their work must contribute to the film by effectively weaving together the acting, artistic, technical and other contributions to the film into a successful and coherent translation of the story or script into the film.
The Director or, if a producing studio reports a team of two directors, receives the nomination. All feature length films, including foreign language, animated, and documentaries are eligible for this category.
This category is classified as a Contribution/Breadth Award.
Best Film Editing
The JEIFA for Film Editing is presented to the film editor whose contribution to the nominated film demonstrates excellence in forming a cohesive film during post-production by assembling raw footage and shots into a continuous sequence of scenes creating a finished motion picture. Their work exemplifies artistic and technical expertise weaving together the story as envisioned by the film’s director(s) and writer(s). The lead editor or, if a producing studio reports a team of two or three lead editors, receives the nomination on behalf of the entire post-production editing team. All feature length films, including foreign language, animated, and documentaries are eligible for this category.
This category is classified as a Contribution/Breadth Award.
Best Screenplay: Original and Adapted
The JEIFA for Best Original Screenplay and for Best Adapted Screenplay are presented to screenwriters for recognition of achievement in writing and story development in a film eligible for a JEIFA that year. Best Original Screenplay is presented to a screenwriter for their work on a project that was not based on material previously published in any format. Best Adapted Screenplay is presented to a screenwriter for their work on a project that is based off of previously released material. Remakes and sequels of a prior film are automatically classified as Adaptations regardless of the status of the original film’s script. On occasion, a script is developed off of or inspired by a story idea, story fragment, or similar material that invites disagreement on whether the screenwriter’s work is definitively original or instead qualifies as an adaptation. Under these rare circumstances, the matter is settled by the decision of the Writers Guild of America.
As all scripts are classified as either Original or an Adaptation, it is impossible for the same film to be nominated in both categories. The type or format of a film is of no relevance to this category and therefore animated films, foreign language films, and documentaries are all eligible for nomination.
This category is classified as a Contribution/Breadth Award.
Best Original Score
The JEIFA for Best Original Score is presented to the composer of original music written specifically to accompany the film it appears in by enhancing the narrative and emotional impact of scenes in the film. The JEIFA for Best Original Score is awarded for an original score accompanying any film eligible for a JEIFA in that year.
While Original Songs are part of the soundtrack of a film, they have no impact on a film’s eligibility for or potentiality of nomination in this Category. Films that have song score are eligible for the JEIFA for Original Score provided the song score is original and not an adaptation or re-scoring of previously released music. Films, typically a sequel, that have a song, instrumental or orchestral theme based off of an original film are eligible in this category provided significant portions of the score is Original Music. A variation on a pre-existing theme does not disqualify a score for this category. Nor does the use of pre-existing music for an artistic or story effect.
This category is classified as an Artistic Award.
Best Original Song
The JEIFA for Best Original Song is presented to the songwriter of an original song written specifically for a film eligible for a JEIFA in that year. The award is presented to the songwriter and the performer if the performer contributed to any artistic element of the song. The song must appear at some point during the film, including during credits before or after the film. The release of the song prior to the release of the film does not disqualify it for this category provided the original purpose of its creation was for the film that followed its non-film release.
There is no limit on the number of nominations a film may have in this category, however original songs performed by more than one artist in the same movie are eligible for only one nomination and it is up to the studio to determine which artist’s performance is the “Original” and any subsequent performances an adaptation of that performance. Adapted musicals are ineligible in this category unless an original song is written as an addition to the musical’s score or song score.
This category is classified as an Artistic Award.
Best Art Direction / Production Design
The JEIFA for Best Art Direction / Production Design is presented to the Art Director and/or Production Designer whose contribution to the nominated film demonstrates excellence in visual artistry. Their work must contribute to the overall look, atmosphere, and design of a film eligible for a JEIFA that year. Elements of the film recognized in this category include the set design, props, locations, and other nvisual aspects of the film. A film with more than one lead Art Director and Production Designer can only receive one nomination in this category. The studio producing the film determines whether one or more individuals are named for the nomination. Animated films are eligible for this category. Documentary films are not.
This category is classified as an Artistic Award.
Best Cinematography
The JEIFA for Best Cinematography is presented to the Cinematographer or Director of Photography whose contribution to the film demonstrates excellence in the art of Film Photography, including lighting, composition, exposure, filtration, and selections in lenses and film stock. Their work must contribute to the overall artistic aesthetics of a film eligible for a JEIFA that year. A film with more than one Cinematographer can only receive one nomination in this category. The studio producing the film determines whether one or more individuals are named for the nomination. Animated films are not eligible for this award.
This category is classified as an Artistic Award.
Best Costume Design
The JEIFA for Best Costume Design is presented to the Costume Designer whose contribution to the nominated film demonstrates excellence in visual artistry related to the costuming of characters in the film. Their work must contribute to the narrative of a film by styling and costuming the characters of a film eligible for a JEIFA that year. A film with more than one Costume Designer can only receive one nomination in this category. The studio producing the film determines whether one or more individuals are named for the nomination. Animated films and Documentaries are not eligible for this award.
This category is classified as an Artistic Award.
Best Make-up & Hairstyling
The JEIFA for Best Make-up and Hairstyling is presented to the Make-up Artist and/or Hairstylist whose contribution to the nominated film demonstrates excellence in changes to the appearance of a performer’s body, face and hairstyle, all done to meet the needs of the story and characters of the film. Their work must contribute to the design of characters through the application of make-up/cosmetics, three-dimensional material, prosthetics, and other mediums applied directly to the body, face, or hair. A film with award worthy work by both a make-up artist and a hairstylist is only eligible for one nomination. Under such circumstances, both individuals are nominated if recognized for their work by the Make-up Artists and Hairstylists Guild.
Please note that while visual effects, special effects, and lighting can augment the appearance of a performer on screen, they do not contribute to a film’s nomination in this category. These augmentations do not disqualify a film from nomination in this category. Animated films and Documentaries are not eligible for this award.
This category is classified as an Artistic Award.
Best Camera Operator
The JEIFA for Best Camera Operator is presented to the Camera Operator whose artistic and technical contributions behind the camera, effectively and expertly capture the vision and artistic plan of the Director and the Cinematographer. The award is presented to the primary Camera Operator for an eligible film or to a Camera Operator team for an eligible film. Documentary and Foreign films are eligible for this award, but Animated films remain ineligible.
This category is classified as a Technical Award.
Best Sound Mixing/Editing
The JEIFA for Sound Mixing and Editing was presented for excellence in both Sound mixing, focusing on the efforts of professional sound mixers and re-mixers for a film, and Sound Editing and Effects Editing, focusing on aesthetics in sound design and editing. The Award was presented to the lead Sound Department on behalf of all sound mixers, editors, and other relevant contributors in the sound production and editing department(s).
This JEIFA category was discontinued in 2005 when separate categories were established for Sound/Sound Mixing and Sound Editing. This category was classified as a Technical Award.
Best Sound/Sound Mixing
The JEIFA for Sound / Sound Mixing is presented for excellence in sound design, sound mixing, and re-mixing for a film eligible for a JEIFA that year. The Award is presented to the Production Sound Mixer and Lead Re-Recording Mixer. All feature length films, including foreign language, animated, and documentaries are eligible for this category. Nomination in this category has no bearing on nomination for the JEIFA for Best Sound Editing.
This category is classified as a Technical Award.
Best Sound Editing
The JEIFA for Sound Editing is presented for excellence in sound editing, including music and dialogue editing, and sound effects and foley editing for a film eligible for a JEIFA that year. The Award is presented to the Supervising Sound Editor and, if relevant, the Sound Effects editor. All feature length films, including foreign language, animated, and documentaries are eligible for this category. Nomination in this category has no bearing on nomination for the JEIFA for Best Sound / Sound Mixing.
This category is classified as a Technical Award.
Best Visual Effects.
The JEIFA for Visual Effects is presented for creative and technical excellence in visual effects artistry and innovation for a film eligible for a JEIFA that year. A film may be nominated in this category for excellence in visual effects that drive the story of the film, simulated effects that add reality to a real or created environment or characters, and supporting visual effects that create authenticity in a film but do not drive its story.
The Award is presented to up to four individuals, including any combination of the following: Visual Effects Supervisor, the Visual Effects Artist, the Special Effects Supervisor/Coordinator, and the Special Effects Artist. The studio producing the nominated film determines the list of eligible individuals in this category. Animated films are not eligible for this category.
This category is classified as a Technical Award.
Best Animation/Animated Film
The JEIFA for Best Animation/Animated Film is presented for artistic, creative and technical excellence in an animated film eligible for a JEIFA that year. A film is only eligible in this category if the majority of its characters, environments, sets and set design, are animated. Mixed-media films where the Animation is more than 70% (in content for the whole movie or in time provided it is 100% animated for that time) are also eligible in this category. All types, formats, or means of creation of the animation are eligible except stop-motion or modeling, including Claymation, which are covered in the Visual Effects category only. The Award is presented to the film’s producer(s) and its director(s).
This category is classified as a Production Award, but scored as a Technical Award for the purposes of Best Picture.
Best Foreign Language Film
The JEIFA for Best Picture is presented for the full breadth of filmmaking including overall artistic, creative and technical excellence in filmmaking in a foreign language film eligible for a JEIFA that year. A film qualifies as a “Foreign Language film” for the purposes of this award if its dialogue is predominantly in a language other than English.
This category is classified as a Production Award.
Best Documentary
The JEIFA for Documentary is presented for artistic, creative and technical excellence in a non-fiction film eligible for a JEIFA that year. All styles and formats of documentaries are eligible in this category provide they are authentic non-fiction films.
Due to the often intermittent nature of a Documentary film release, often over a long span of years, a Documentary film is eligible for nomination in this category in any year that it is eligible for an Academy Award, a BAFTA Award, or recognized for achievement by any JEIFA recognized professional film association or guild. The Award is presented to the film’s producer(s) and its director(s).
This category is classified as a Production Award.
Best Picture (Including Honorary Best Picture)
The JEIFA for Best Picture is presented for the full breadth of filmmaking including overall artistic, creative and technical excellence in filmmaking in film eligible for a JEIFA that year. All styles and formats of films, including those films eligible for any other Production Award, are eligible in this category. The Award is presented to the film’s producer(s).
This category is classified as a Production Award.